备注：已完结
类型：犯罪片
主演：伊利亚·坎拉斯 恩佐·皮内达 Pearl Lagman Migs Ca
语言：其它
年代：未知
简介：A cautionary tale told in three contradicting accounts; this is a story of a broadcasting student who discovers the shady truth about the TV reporter he idolizes.
备注：已完结
类型：剧情片
主演：詹·科莱拉 Petrina Bromley De'L
导演：克里斯托弗·阿什利
语言：英语
年代：未知
简介：托尼奖获奖百老汇音乐剧《来自远方》(Come from Away)将被改编成电影，The Mark Gordon Company投资制片，原作者、词曲家Irene Sankoff和David Hein将编写剧本，剧版导演克里斯托弗·阿什利也确定执导影片。设定在9·11事件之后，38架飞机意外迫降加拿大纽芬兰与拉布拉多省的小镇Gander，7000名旅客滞留。在被迫停飞的处境下，小镇的居民热情地欢迎并接纳了所有旅客，他们的慷慨善良与恐怖袭击形成了鲜明的对比。文化相互碰撞，人们情绪高涨，不安感转变为信任，音乐响彻深夜，感激最终形成了长久的友谊。 该音乐剧大获成功，评论极佳，获7项托尼奖提名，最终获得最佳音乐剧导演奖。
备注：已完结
类型：欧美剧
主演：Ido Drent Elizabeth Dowden Emma Fos
导演：内详
语言：英语
年代：未知
简介：Netflix纪录片系列《罗马帝国》第三季，讲述疯帝卡利古拉的故事
备注：已完结
类型：欧美剧
导演：内详
语言：德语
年代：未知
简介：Luden, a six-part series on the pimps who controlled the red light district in Hamburg at the end of the 1970s. It centers on the rise of Sonny Boy Klaus Barkowsky, who is made into a pimp by the tough prostitute Jutta and founds the ‘Nutella’ gang, which soon engages in a battle for power with the established ‘GMBH.’
备注：已完结
类型：科幻片
主演：斯蒂芬妮·马蒂尼 艾玛·阿普尔顿 罗里·弗莱克-拜恩 休·奥康纳 Aa
导演：安德鲁·莱格
语言：英语
年代：未知
简介：Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
