备注：已完结
类型：动作片
主演：汤姆·贝伦杰 迈克尔·加·怀特 路易·曼迪勒 迈克尔·科彭 Gabri
导演：R·埃利斯·弗雷泽
语言：英语
年代：未知
简介： Bryant (Michael Jai White), a man with a mysterious past moves to a small Mexican border-town to start over and live the simple life. While there, he reluctantly befriends a troubled local teen who has recently lost his mother and is being recruited by the local street gang. Bryant keeps the boy on the straight and narrow by introducing him to martial arts and taking on the role of mentor, teacher and father-figure. As the story unfolds we learn that Bryant is much more than a man who moved to Mexico to live the simple life. Bryant is running from a complex, violent past that he believes he left behind. As his past catches up with him, he is forced into a life and death struggle to clear his name, save the boy and get back all that he left behind.
备注：已完结
类型：海外剧
主演：Cem Yigit Uzümoglu Tommaso Basili 赛
导演：Emre Şahin
语言：其它
年代：未知
简介： Netflix 推出了扣人心弦的文献片《帝国的崛起：奥斯曼》 全球领先的娱乐服务公司 Netflix 透露了全新文献片《帝国的崛起：奥斯曼》的首批细节。此剧集由杰姆·伊伊特·乌聚莫格卢、塞利姆·巴伊拉克塔尔、比尔康·索库尔卢、奥斯曼·索南和图芭·布尤库斯滕等土耳其知名演员担任主演，将于 2020 年 1 月 24 日在 Netflix 上面向全球上线。 此节目由 Karga Seven 联合 STX Entertainment 共同出品，还邀请了教授兼博士 A·M·杰拉尔·森戈尔和埃姆拉赫·萨法·居尔坎博士等备受赞誉的历史学家加盟。《帝国的崛起：奥斯曼》在伊斯坦布尔的多个地区取景拍摄，由埃姆雷·萨欣担任导演，共有 6 集。
备注：已完结
类型：喜剧片
导演：列维·施瑞博尔
语言：英语
年代：未知
简介： 自从从那场所有犹太人谈之色变的浩劫中幸存下来之后，乔纳森（伊利亚·伍德 Elijah Wood 饰）的祖父就一心想要找到曾经帮助过他的救命恩人，眼看着祖父即将不久于人世，这一艰巨的任务自然落在了乔纳森的肩上。带着祖父给他的旧照片，乔纳森踏上了祖父的获救地——乌克兰的土地，在那里，乔纳森结识了形迹十分可疑的向导亚历克斯（尤金·哈茨 Eugene Hutz 饰）和脾气暴躁到不可思议的倔强老头鲍里斯（乔纳森·萨佛兰·福尔 Jonathan Safran Foer 饰）。 都说人多力量大，可是这三个人凑在一起，事情没有多大的进展，麻烦倒是惹了一大堆。而正是同甘共苦的经历在三人之间构筑起了坚实的友谊，不仅如此，在千难万险之间，每个人都对各自的人生有了新的领悟。
备注：已完结
类型：剧情片
导演：江·罗伯斯·拉纳
语言：其它
年代：未知
简介： 入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)
