备注：已完结
类型：爱情片
主演：古巨基 舒淇 李灿森 陈颖妍 三田爱里 曾志伟 余迪安 森美 阮小仪
语言：粤语
年代：未知
简介：祺（古巨基）自小做事就很有计划，身为深圳某家公司的高级职员，他已规划好何时同在日本留学的女友June（陈颖妍）结婚、退休等人生大事。某日看过June发来的一封E-mail后，他休假来到日本。令他想不到的是，June已与他的死党，在日本学漫画的Sam（李灿森）坠入爱河。 祺无法接受未来被打乱的事实，失意地来到咖啡馆，结识从台湾来日本发展事业的模特Kiki（舒淇）。Kiki在日本遭受过许多打击，但一直乐观开朗，在与她相处时，祺的心情有些微改观。其后两人扮24小时情人，过程中Kiki爱上了祺，祺也在分手那刻察觉出了心的不舍，但他仍要自己理智大于情感。
备注：已完结
类型：剧情片
主演：休·杰克曼 詹姆斯·麦卡沃伊 迈克尔·法斯宾德 詹妮弗·劳伦斯 哈莉·
导演：布莱恩·辛格
语言：英语
年代：未知
简介：故事的设定发生在当下，变种人族群遭到了前所未有的毁灭性打击，而这一切的根源是“魔形女”瑞文（詹妮弗·劳伦斯 Jennifer Lawrence 饰）在1973年刺杀了玻利瓦尔·特拉斯克（彼特·丁拉基 Peter Dinklage 饰）。在得知“幻影猫”（艾伦·佩吉 E llen Page 饰）利用穿越时空的能力帮助Blink（范冰冰 饰）等战友逃脱巨型机器人“哨兵”的追杀后，X教授（帕特里克·斯图尔特 Patrick Stewart 饰）和万磁王（伊恩·麦克莱恩 Ian McKellen 饰）达成认同，决定让金刚狼（休·杰克曼 Hugh Jackman 饰）穿越回1973年，找到年轻的X教授（詹姆斯·麦卡沃伊 James McAvoy 饰）和年轻的万磁王（迈克尔·法斯宾德 Michael Fassbender 饰）并说服他们一起阻止魔形女的行动。于是，金刚狼踏上了回到过去的旅程，但是命运会不会发生逆转，任何人都无从知晓。
备注：已完结
类型：日韩动漫
主演：植田佳奈 伊藤美纪 伊藤静 能登麻美子 池泽春菜 清水香里 钉宫理惠
导演：福岛宏之
语言：日语
年代：未知
简介：OVA一共5集。 私立莉莉安女子学院： 创立于明治34年，拥有很长历史传统，校风优雅的女子私立学校之名门。在武藏野辽阔富饶的土地上，坐落着此学院的幼儿园，小学，中学，高中，大学（文学部和家政部），研究生院。这个学校的传统就是贯彻淑女教育，培育谨慎谦恭，学识丰富，教养好的淑女。 在莉莉安女子学院，每一个一年级的新生都会被一个二年级的学姐选为“妹妹”，而这个学姐也会以“姐姐”的身份照顾选中的学妹，不管是学习还是生活上。这其实是一种一对一的监护人制度，而这种制度不但可以让新生更好的适应学院生活，同时也能促进不同年纪学生的交流，使学院更团结。当然，其中也有一些宗教的因素。在莉莉安女子学院中，学生会“山百合会”是由红、白、黄三个玫瑰家族掌控，因此玫瑰家族中每一个成员都是学生中的表率，也是其他学生崇拜的对象。而本作的主角福沢祐巳开始只是个平凡的新生，但却在阴差阳错之下被她一直崇拜的学姐，红玫瑰家族二年级的小笠原祥子选为妹妹，因此也展开了她不平凡的校园生活。在深入“山百合会”的同时，把一个个感人的故事带到了我们面前。本作的主题是女孩子们之间的感情，因此推荐给喜欢的朋友。
备注：已完结
类型：剧情片
主演：李小龙 考林·加普 洪金宝 唐龙 卡里姆·阿卜杜尔-贾巴尔
导演：罗伯特·高洛斯
语言：英语
年代：未知
简介：动作片明星比利（李小龙 唐龙 饰）最近频频遭遇骚扰，原来邪恶集团头领兰德博士有意掌控在澳门举办的国际搏击大赛，希望比利能够入伙，然而比利的拒绝令他们怒火中烧。比利与歌星女友安一同出行，被兰德一伙截路殴打，比利决定奋起反抗，由于担心女友的安危只得忍耐。不久，比利在片场遭暗算，面部受创，随即将计就计放出死亡消息麻痹兰德。在搏击比赛期间，比利潜入澳门，将兰德的选手击溃，使其计划破产。随后比利孤身一人前往兰德团伙核心大楼，在层层挑战中讨伐仇敌…… 本片在李小龙去世后用他生前拍摄的片段补拍而成，大部分镜头中比利这一角色由唐龙扮演。
备注：已完结
类型：爱情片
主演：弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演：米切尔·莱森
语言：英语
年代：未知
简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
