备注:已完结
类型:剧情片
主演:莱昂纳尔·巴里摩尔 南茜·卡罗尔 菲利浦·霍尔姆斯 Louise Ca
导演:恩斯特·刘别谦
语言:英语
年代:未知
简介:Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
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类型:战争片
主演:布隆考·瓦莱斯卡 欧托门·科雷查 Viktor Ocásek 兹登卡·
导演:阿尔佛雷德·雷铎
语言:其它
年代:未知
简介: 二战结束后拍摄,但拍成之后被禁10年,终于在近年得以重见天日。捷克影史上 最重要的反映大屠杀的反战电影之一,导演阿尔佛雷德·雷铎(Alfred Radok)生长于战 争年代,他深受战争之苦,家庭因战争而破散,他自己也蹲过集中营。在二战结束之后拍 摄了这部反映纳粹对犹太人大屠杀的巨作,故事分三条线索,主线是布拉格一所医院里一 对医生夫妇因为反犹太政策而祸从天降,被送往集中营的故事。剧情片与纪录片相结合, 给观众最真切最贴近的战争体验。
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类型:剧情片
主演:Artúr Somlay Miklós Gábor Zsuzsa Bá
语言:其它
年代:未知
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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类型:剧情片
主演:威廉·赫特 玛丽·玛特琳 派珀·劳瑞 菲利普·博斯科 Allison
导演:兰达·海恩斯
语言:英语
年代:未知
简介: 故事发生在基特里奇总督学校中,詹姆斯(威廉·赫特 William Hurt 饰)是在这里任教的教师。凭借着自己特立独行的教学手段,詹姆斯很快就获得了学生的好感和同事的信任,对于在这里的平静生活,詹姆斯本人亦十分满意。 萨拉(玛丽·玛特琳 Marlee Matlin 饰)曾经是这所学校的学生,毕业后,她几经辗转,回到了此地当起了清洁工。因为生理的残疾,萨拉个性孤僻,但这反而吸引了詹姆斯的注意,他主动接近莉兹,希望莉兹能够重拾自信继续学习深造。随着时间的推移,莉兹对于詹姆斯的态度从一开始的及其抗拒转而变成了略有好感,她的性格开始慢慢转变,和詹姆斯的距离也原来越近。可就在这时,新的问题又出现了。
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类型:动作片
主演:奥斯汀·斯托克 Darwin Joston Laurie Zimmer
导演:约翰·卡朋特
语言:英语
年代:未知
简介: 在少数族裔聚集的加州安德森,一个星期六的凌晨,六名帮派成员被警方击毙。他们的同伙发誓为他们报仇。同一天的下午,警督毕邵普(Austin Stoker 饰)受命看守一间即将废弃的警局,另一方面,在加州的洛克卢塞斯监狱中,以穷凶极恶的罪犯拿破仑·威尔逊(Darwin Joston 饰)为首的三名罪犯将被押解到另间监狱。复仇的帮派团伙在路上随意射杀了一名小女孩,女孩的父亲将一名匪徒杀死,随后逃到毕邵普看守的警局,此时警局当中只有毕邵普和两个女文员,加之此前不久因押解囚犯半路急病,押解车转入这间警局临时停留。此时,警员和囚犯被外面埋伏的帮派分子围堵射杀,毕邵普决定借用威尔逊的力量抵挡警局外的暴徒……
备注:已完结
类型:喜剧片
主演:范·迪塞尔 阿历克斯·罗克 Frank Pietrangolare 理
导演:西德尼·吕美特
语言:英语
年代:未知
简介: 美国黑手党根基深厚,危害严重。为了清除社会弊端,警方经过多年的侦察和筹备,对五大家族之一的卢切斯家族展开攻势。包括新泽西头目杰基•迪诺西奥(Vin Diesel 文•迪塞尔 饰)在内的20名家族成员被捕,并被指控76项罪名。在审判之前,公诉方与杰基秘密谈判,要他选择或者遭受长达30年的牢狱之灾,或者充当污点证人,指控其他家族成员。 杰基宁愿坐牢也不愿出卖伙伴,他拒绝聘任律师,一个人为自己以及整个家族成员展开了辩护…… 影片根据美国司法历史上最长的一次黑帮刑事审判改编而成,主人公为上世纪80年代的传奇帮派头目杰基•迪诺西奥(Jackie DiNorscio),故事情节与台词片段均采自18年前入档的庭审记录。由于案情复杂,且牵涉人物众多,审判持续21个月之久,并创下多项纪录:创下了多项庭审纪录:20名被告配备了20名辩护律师、8个陪审团轮番上阵以及史无前例的超长结案陈词(其中一位辩护律师的结案陈词居然宣读了5天)。
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类型:战争片
主演:哈维尔·巴登 娜塔莉·波特曼 斯特兰·斯卡斯加德 兰迪·奎德 何塞·路
导演:米洛斯·福尔曼
语言:英语
年代:未知
简介: 1792年,西班牙的最高权力由天主教掌控,为了杜绝法国革命潮流的影响,天主教重新开启宗教裁判所来控制国内骚乱,修道士洛伦佐(哈维尔·巴登 Javier Bardem 饰)是这场运动的领导人。谋略过人的他设法掌控宗教裁判所的最高权利。宫廷画家弗朗西斯科·戈雅(斯特兰·斯卡斯加德 Stellan Skarsgård 饰)是洛伦佐的朋友。因为一个模特伊内斯(娜塔丽·波特曼 Natalie Portman 饰),戈雅受冤被关进宗教裁判所,受到各种严刑拷打,他请求洛伦佐去救伊内斯,谁知伪善的洛伦佐却强奸了伊内斯,并将她打入秘密地牢。 二十年后,时局变迁,西班牙被法国军队占领。洛伦佐被西班牙教会驱逐流放,伺机卷土重来。此时的戈雅几乎完全丧失听力,独自囚禁在内心的阴暗中,这个时期却成了他的创作巅峰期。法国废除了西班牙宗教所,伊内斯得以释放,举目无亲的她找到几乎已经神经失常的戈雅,并在他的帮助下找到了在监狱中生下的女儿。欧洲革命风云再起,当西班牙再次陷入战乱中时,洛伦佐被判处死刑。
备注:已完结
类型:喜剧片
主演:托比·斯蒂芬斯 克劳迪·布莱克利 安迪·尼曼 巴布·塞赛 蒂姆·麦克纳
导演:克里斯托弗·史密斯
语言:英语
年代:未知
简介: 匈牙利近郊东部山区,一趟误入歧途驶向死亡的恐怖之旅。国际知名军火公司“篱笆防御”集团的老总为了庆祝业绩创新高,特意为员工们举办了一次豪华温泉乡之旅,共度这个周末。然而这次旅程却并非像员工们想得那么奢华美好,接二连三发生的恐怖血腥事件,让众人如坐针毡,人人自危。当众人来到荒无人烟并被群山环绕着的边境地带时,就已经个个胆战心惊。更令他们毛骨悚然的是,他们过夜的地方居然是一间废弃破旧的精神病院。而更糟的还在后面,一群手持该公司军火的俄罗斯人对他们发起了疯狂的攻击。 由英国导演克里斯托弗·史密斯自编自导的恐怖喜剧电影《断头气》,构思精巧、情节跌宕起伏,时时冒出一些既恐怖又幽默的精彩瞬间。本片也是向大师斯坦利·库布里克的致敬之作。
备注:已完结
类型:科幻片
主演:约翰·兰道夫 弗朗西丝·瑞德 芭芭拉·沃勒 埃特加斯坦利 莫瑞·汉密尔
导演:约翰·弗兰克海默
语言:英语
年代:未知
简介: Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd