备注：已完结
类型：战争片
主演：德克·博加德 汤姆·康特奈 莱奥·麦凯恩 巴里·福斯特 彼得·科普利
导演：约瑟夫·罗西
语言：英语
年代：未知
简介：ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
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类型：欧美动漫
主演：艾伦·里德 约翰·范德·派尔 梅尔·布兰科 贝亚·本德雷 约翰·斯蒂芬
语言：英语
年代：未知
简介： This popular animated television cartoon featured two Stone Age families, the Flintstones and their neighbors, the Rubbles. Much of the humor was based on its comic portrayals of modern conveniences, reinterpreted using Stone Age 'technology.' Most notably were their cars, complete with absence of floorboards to allow them to be 'foot-powered.'
备注：已完结
类型：欧美动漫
主演：艾伦·里德 约翰·范德·派尔 梅尔·布兰科 贝亚·本德雷 约翰·斯蒂芬
语言：英语
年代：未知
简介： This popular animated television cartoon featured two Stone Age families, the Flintstones and their neighbors, the Rubbles. Much of the humor was based on its comic portrayals of modern conveniences, reinterpreted using Stone Age 'technology.' Most notably were their cars, complete with absence of floorboards to allow them to be 'foot-powered.'
备注：已完结
类型：欧美动漫
主演：艾伦·里德
语言：英语
年代：未知
简介： 《摩登原始人》，又称聪明笨伯（英文名称：the Flintstones，原意为“打火石家族”）是由卡通网络制作室所创作的美国动画电视剧。由1960年至1966年，它在美国广播公司是其中一个最成功的动画电视剧。它的故事在某程度上参照了电视剧《蜜月期》。它是60年代美国风靡一时的动画片，后于90年代被翻拍成真人电影。故事以原始人为背景，用非常现代的手段表现原始人幽默趣味的生活方式，且非常具有现实意义。 先是同名的卡通片自60年代以来在美国电视网上播出，继而被译成22种语言在80多个国家播出。后由史蒂文.斯皮尔伯格的制作公司改编成故事片。1993年正式开拍。故事的背景是公元前二百万年，恐龙的石器时代，某个小镇住着一群石器时代的原始人，但他们的意识却非常现代。聪明的弗雷德用石头、动物骨骼和毛皮制作出电话机、照相机甚至影印机。家庭厨房设备还有以猪提供动力的环保...
备注：已完结
类型：欧美剧
主演：多米尼克·谢尔伍德 凯瑟琳·麦克纳马拉 马修·达达里奥 岑勇康 艾赛亚
语言：英语
年代：未知
简介：ABC Family确定Dominic Sherwood将担任剧情剧《影子猎人 Shadowhunters》的男主。 早些时候，ABC Family跳过试映集环节直接预订了了这部剧集。该剧由《圣杯神器》系列的作者Cassandra Clare的系列书籍改编。作为备受青少年欢迎的超自然题材小说，这部剧的主角是Clary Fray，1个在自己18岁生日发现自己是一个猎杀恶魔的天使与人类的混血儿的女孩，在母亲绑架后。与一个神秘的猎手还有她的好朋友Simon展开了一段关于命运的探险。
