备注：已完结
类型：欧美综艺
主演：托瑞·贝莱西 Tommy Passemante Jonathan My
语言：英语
年代：未知
简介： Tory and Tommy see some serious kaboom action and meet the trained professionals who get to detonate all kinds of things every day.
备注：已完结
类型：战争片
导演：Lev Kulidzhanov Yakov Segel
语言：其它
年代：未知
简介： They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it. Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.
备注：已完结
类型：剧情片
主演：加利·法梅尔 A·马丁内斯 Joannelle Nadine Rome
语言：英语
年代：未知
简介： Social realism regarding struggles of reservation-dwelling Native Americans in the North Central states of the US. Main character is an introspective and lovable person in a process of seeking pride and identity through tradtional and mystical means of gathering power. His high school friend, who is a Vietnam War Veteran, is exerting power as a highly principled social activist, using a modern rational materialist adversarial model of progress.
备注：已完结
类型：纪录片
主演：Robert Clotworthy Giorgio Tsoukalos
导演：Susan E. Leventhal Murathan Varol Keith Guinto Marc Gerke
语言：英语
年代：未知
简介： 第十一季 (播出目录) (2016) Season 11 S11E01 南极洲金字塔 Pyramids of Antarctica (2016年5月6日播出)； S11E02 目的地：火星 Destination Mars (2016年5月13日播出)； S11E03 人与机器人的融合 The Next Humans (2016年5月20日播出)； S11E04 新证据 The New Evidence (2016年5月26日播出)； S11E05 与外星人沟通的梦想 The Visionaries (2016年6月10日播出)； S11E06 解码“宇宙蛋” Decoding the Cosmic Egg (2016年6月17日播出)； S11E07 聪明的守护者 The Wisdom Keepers (2016年6月24日播出)； S11E08 神秘的九 The Mysterious Nine (2016年7月8日播出)； S11E09 隐藏的帝国 The Hidden Empire (2016年7月15日播出)； S11E10 人类的原型 The Prototypes (2016年7月22日播出) S11E11 月球：外星人的“空间站” Space Station Moon (2016年7月29日播出)； S11E12 俄罗斯的秘密文件 Russia’s Secret Files (2016年8月12日播出)； S11E13 超越罗斯威尔 Beyond Roswell (2016年8月19日播出)； S11E14 外星人绑架 The Returned (2016年8月26日播出)； S11E15 毁灭之神：湿婆 Shiva the Destroyer (2016年9月2日播出)；
备注：已完结
类型：剧情片
主演：Jo Dong-hyeok (조동혁) Jo Won-bin (조원빈
语言：韩语
年代：未知
简介： Dong-goo, a lowlife thug, has always been living a hopeless miserable life. One day, he accidentally obtains a bankbook with such a large amount of money as much as one billion won. He travels down to Busan in order to try to obtain the PIN number for the bank account. As Dong-goo meets the eight year old boy, Bok-gi (Jo Won-bin), who believes Dong-goo is his dad, and the boy’s mother, Ae-sook (Hong Ah-reum) in Busan, their story begins.
备注：已完结
类型：欧美剧
主演：杰伊·巴鲁切尔 埃里克·安德烈 瓦妮莎·贝尔 Britt Lower
语言：英语
年代：未知
简介： 这部带有超现实主义色彩的剧集以幽默、「天真」的视角来描绘当代年轻人（特别是纽约市的年轻人）的约会生活——真可谓酸甜苦辣咸五味俱全。所谓「超现实主义」，是指该剧把谈恋爱看做一件「生死攸关」（life-and-death stakes）的事情。这个项目根据Simon Rich撰写的畅销书《The Last Girlfriend On Earth》改编，Simon Rich亲自担任剧集创作人。年仅28岁的Simon Rich因此成为好莱坞历史上最年轻的剧集创作人之一。 主人公Josh Greenberg（Jay Baruchel）是一个骨子里充满浪漫主义但又过于天真单纯的年轻人，当相处多年的女友将他抛弃后，他决心再次寻找爱情——但那对他来说无异于重历一场噩梦。一夜情，痛苦的分手，闪电相亲，时间旅行，性爱外星人，许多死亡……甚至一个叫「田中」的日本阳具怪兽……这些或真或假的事情在他「史诗般」的寻爱之旅上都发生过。但他相信自己终有一天能找到相伴一生的人，他经历的一切痛苦、他付出的一切努力都会有回报。 Eric Andre扮演Josh的死党Mike，狂妄自信。Britt Lower扮演Josh的姐姐Liz，总是盛气凌人。Maya Erskine扮演让Josh伤透心（但又总是忘不掉）的前女友Maggie。Miles Fisher扮演Maggie的新男友Graham，多集戏份。 据称该剧将在加拿大多伦多拍摄，这种情况很少见。许多好莱坞故事剧（特别是需要花很多钱的幻想题材剧集）会在加拿大拍摄以节省资金，但情景喜剧通常很少「迈出国门」。 转自天涯小筑
备注：已完结
类型：科幻片
主演：Margarete Schön Theodor Loos Paul B
语言：其它
年代：未知
简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
