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类型：战争片
主演：Leslie Banks C.V. France Valerie Ta
语言：英语,德语
年代：未知
简介：Thetimeforthissleepyvillagetoawakeandfaceitsdemonshasfirmlylandedonitsdoorstep.ThetransformationofidyllicruralEnglishnesshastobetestedtoitslimits,ontheirownandwithtimerunningout,eventhesoftestofheartshavetolearnthehardestrule;inordertosurvive,thislittlevillageofBramleyEndmust,withshockinganddisturbingnewqualities’,adapttotheirnewsurroundings.Frankandhard-hittingWorldWarIIcinema.
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类型：喜剧片
主演：弗兰科·弗兰基 奇乔·因格拉西亚 巴斯特·基顿 弗雷德·克拉克 玛莎·
导演：路易吉·斯嘎蒂尼
语言：其它
年代：未知
简介：“二战”时期，盟军要实施安奇奥登陆计划，迫于对一门叫安奇奥大炮的超级武器的忌惮，要派两个精锐特工去摧毁这门大炮，结果两个傻逼被派了去，最后经过一连串搞笑事件，阴差阳错的最后完成了任务。 片段一：德国人在北非布置了一个陷阱，准备了一幅假的防御工事地图让这二个士兵带回去。他们却阴差阳错的拿走了真的地图，最终赢得了战役。 片段二：他们化装成管道工潜入德军在意大利的司令部，给他们卫生间的管道修得乱七八糟，把将军淋了个落汤鸡。将军去换衣服，拉开抽屉发现一套新的军服，于是洗头洗脸准备换上新军服的时候闭着眼把脸盆里的脏水倒进抽屉里了（柜子旁边有一个废水桶）。那个将军是最主要的一个配角，很有意思。到影片结束前1分钟，都没有一句台词。最后说了一句“谢谢”。 片段三：德军有一门超级大炮俯视着联军将要登陆的海滩。这二个士兵居然化装成希特勒和随从，去视察大炮，把大炮炸掉了。 In May 1943, two American soldiers, Joe and Frank, of Italian descent are searching the North African desert for a German general called Von Kassler, when they are captured by Von Kassler aide Inge Schultze who lets them escape with fake war plans, only Joe and Frank steal the real war plans which pave way for the Allied victory. Months later, the duo once again come up against Von Kassler when they are captured at Anzio and try to outwit the Nazis a second time
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类型：剧情片
主演：ErdalBesikçioglu TülinÖzen AlevUçar
导演：塞米赫·卡普兰奥卢
语言：土耳其语
年代：未知
简介：在土耳其的浓密树林里，有间简陋的学校，孩子们都在这里读书。某天，一个女生（图林•奥曾 Tülin Özen 饰）讲了一个关于动物的故事，受到了老师的表扬，还得到了一枚徽章，同学们都很羡慕，约瑟夫（波拉•奥塔斯 Bora Altas 饰）也不例外。但是当老师让约瑟夫朗读的时候，他却因为胆怯，难以克服内心的恐惧，当众出丑。同学们哄堂大笑，他感到很无助，老师给他打了圆场。回到家，养蜂工父亲雅库普（埃尔达尔•贝斯康格鲁 Erdal Besikçioglu 饰）带他一起去给蜜蜂搬家，望着那蜂巢，他深深地被大自然的美好所吸引。父亲躺在柔软的草地上睡着了，他无忧无虑地跟父亲嬉戏着，一切都那么美好。然而，生活是艰苦的。母亲泽赫拉含辛茹苦地为家庭操劳着，父亲却积劳成疾……
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类型：喜剧片
主演：彼得·冈萨雷斯·法尔孔 Fiona Florence Britta B
导演：费德里科·费里尼
语言：其它
年代：未知
简介： 这不是一部普通的纪录片，而是透过意大利电影大师费德里克．费里尼独特的艺术家眼光为罗马古都写出来的一篇个人回忆录。全片打破传统叙事手法，以现实与超现实场面交叉穿梭进行，渗入了大量的幻觉和回忆，充分表现出费德里克．费里尼个人对罗马的爱恋，也让观众看到了这个城市隐蔽着的另一面。男星彼得．龚扎莱斯在片中饰演年轻时代的费德里克．费里尼，而费德里克．费里尼则演出他自己，在片中可以看到马戏团对费氏作品根深蒂固的影响。也可以从中揣摩出费尼电影风格的一些基本特质，喜爱他的影迷不容错过。
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类型：动作片
主演：Ferenc Fábián Dan Popescu Sorin Vas
导演：格奥尔基·奈金
语言：罗马尼亚语
年代：未知
简介：影片描写的是在罗马尼亚的多瑙河三角洲地区，两名少先队员机智勇敢的和文物走私的犯罪分子作斗争，历经艰险，最后配合公安人员抓获走私犯的故事。
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类型：剧情片
主演：Ken Clark Horst Frank Jeanne Valéri
语言：英语
年代：未知
简介：Thestoryisfreshandoriginal,andpresentedwithuniquetwistsfrombeginningtoend.FiveGermansoldiersareparachutedintoNorthAfrica,andwilltrektoCasablancatoassassinateaconferenceofChurchill,RooseveltandDeGaulle.Lenzi’sfilmisatrueexampleofcharacter-drivendramaatitsbest.KenClarkisCaptainSchoeller,leaderoftheunit,andhe’sneverlessthantotallyconvincingasadie-hardadvocateofHitlerandNazism.HorstFrank("ThunderfromtheWest")playsLt.Wolfwithgustoandconviction.Wolf’smotherisAmericanandhisbestfriendisaJew,soheandSchoellerdon’tseeeye-to-eye.HeandSchoellerclashoveropposingidealsseveraltimes.Despitetheirdissension,botharededicatedsoldierswhohaveajobtogetdone,andgrudginglyworktogethertoaccomplishthemission.Lenzineverstraysfarfromthiscentralconflictofideals,alwayskeepinghismessageclearlyinfocus.ThesupportingcastoffamiliarEuropeanactorsisexcellentall-around.CarloHintermann,HardyReycheltandHowardRossroundouttheGermanteam.Hintermannmakesthemostofhislittleroleasatough,dedicatedGermanSergeant,acareersoldierwho’lldowhathe’stoldwhenhe’stold,noquestionsasked.JeanneValerieandFabienneDaliaretwofemalecharacters,whosemotivesareneverclearlydefineduntilthefilm’sthirdact–andthat’swhenyourealizewhosesideeachisreallyon.GianniRizzohasafewbriefscenesasaFrenchinformer,workingwiththeGermans,andgetstodoblastawayatAmericansoldierswithamachineguninoneofthefilm’snail-bitingactionscenes.BesuretowatchforTomFelleghy("TheGreatestBattle"),JohnStacy("BattleoftheCommandos"),andFrancoFantasia("Adios,Sabata")insmall,yetkeyrolesasAlliedofficers.Thoughtheaction-packedfootageisscant,what’shereisbrilliantlyeditedanddirected.Thethirdactistenseandfast-paced,astheGerman"heroes"dodgebulletsacrossrooftopsandduckthroughalleywaysasAmericanMPsareinhotpursuit.ThefinalinfiltrationofChurchill’sbanquetinghallisexcellentlysetup,withfrustratinglydeliberatepacing,whichwillleaveyouontheedgeofyourseat.Thisclimaxendsabruptlywithagreatsurprise,causingyourjawtodropasyouwonder"Whatjusthappened…?"Twoaspectsoffilm-makingthatLenziandhiscrewseemtoemphasizearethesetsandlandscapes.Thereisnotoneshotinthismoviethatlooksoutofplace.WhentheGermanofficerstalkinheadquarters,theinteriorlookslikeanofficeinaGermanheadquarters.Thefilmissetinthedesert,andthereareconstantwideshotsasactorsspeakandwalkwhichrevealthatthesesceneswereactuallyshotinthevastEgyptiansanddunes.TheoasisofKuffranlooksespeciallybustling,andtheessenceoftheatmosphereofCasablancaduringwartimeissuperblycaptured.Duringthistimeperiod,manydirectorsfellbackonshabbyinteriorsandshotinoutdoorlocationswhichlookedcompletelywrong.Forexample,"CommandoAttack",alsoshotin1967,waslensedinSpainandexteriorswerepassedoffas"southernFrance",yetit’sclearlyvisibletheactionwasnotoccurringintheFrenchcountryside.Finally,thereareanumberofotherlittledetailswhichcontributetothisfilm’ssuccess:fineeditingandcamera-workgivethismovieaveryprofessionallookandfeel;italwayslooksprofessional.Lenziisjuststartingtodevelophisstyle,andhissignatureclose-upsareusedinmoderation,butmeanallthemorewhentheyareused.Therearesomegreatcraneshotsandwideshotsusedtoestablishthescopeofthesets,mostnotablyinthescenessetinCasablanca.Thisisdefinitelyagreatfilm,withsomestronglydevelopedinternalconflictsandfleshed-outcharacters.ThequalityofLenzi’sfilmswoulddegenerateastheyearspassed,but"DesertCommando"iseasilyoneofthebestwarfilmstocomeoutof1967,rankingrightuptherewith"TheDirtyDozen".
