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类型：动作片
主演：赫里尼克·罗斯汉 卡特莉娜·卡芙 碧帕莎·芭素 罗恩·斯穆安伯格 丹尼
导演：希达·阿南德
语言：印地语
年代：未知
简介：《惊情谍变》剧情，美丽单纯的银行职员哈莉（卡特莉娜·卡芙饰KatrinaKaif）在一次偶然的聚会中邂逅了性感帅气，绅士风度的阿杰（赫里尼克·罗斯汉饰HrithikRoshan），两人相互被对方的迷人气质所吸引，相谈甚欢。当她认为这是天外飞来艳福，正准备期待一场浪漫而又美好的爱情时，却万万没有想到，接下来她的人生会变得跌宕起伏，险象环生，短短几分钟过后，两人竟意外成为众人追杀的逃命鸳鸯，在接下来的日子里，她将和阿杰上天下海，环游世界，享受枪林弹雨，血雨腥风带来的浪漫与惊险……《惊情谍变》由二十世纪福克斯出品，剧本改编自汤姆·克鲁斯,卡梅隆·迪亚茨主演的《危情谍战》，是好莱坞进军宝莱坞的作品，欲以此打开宝莱坞的大门，电影上映后轰出了38亿卢比，海外票房亦获得非常不错的成绩，在北美上映仅一周便取得700万美元，顺利打入了北美周票房前10，成为了印度本年度票房大户之一。电影《惊情谍变》拍摄横跨了大半个地球，从印度的喜马偕尔邦，新德里，远到泰国普吉岛，希腊，阿布扎比和布拉格。
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类型：科幻片
主演：Cody Clarke Chloe Pelletier
导演：Cody Clarke
语言：英语
年代：未知
简介：在这部滑稽、干涩、半开玩笑的科幻恐怖喜剧中，一个巨大的模糊手指从外太空落下来，威胁着一个女人，打断了她在家孤独的夜晚。
备注：已完结
类型：科幻片
主演：Cody Clarke Chloe Pelletier
导演：Cody Clarke
语言：英语
年代：未知
简介：在这部滑稽、干涩、半开玩笑的科幻恐怖喜剧中，一个巨大的模糊手指从外太空落下来，威胁着一个女人，打断了她在家孤独的夜晚。
备注：已完结
类型：剧情片
主演：盖瑞·丹尼尔斯 大卫·温特斯 康福特·费达克 Brandon Brya
导演：大卫·温特斯
语言：英语
年代：未知
简介：ThiscomingofageDanceFilm,inthespiritofDirtyDancing,KarateKid,andHighSchoolMusical–isaboutayounggirlfromBeverlyHills,JenniferwhoisvisitingherFather’sPanamaCityBeachHotelduringSummerBreak,andfallsinlovewithaYoungBoy,KenwhoworksasaDishwasher.Eventhoughbotharefromdifferentbackgrounds,theysharethesamepassion…DANCEandpartnerwitheachothertoenterthe2ndAnnualFloridaState-WideDanceContest.Whilepreparingforthecontest,JenniferandKenmustovercomeschemingdancepartners,ameddlingfather,andtheirowndoubtsfortheirlovetoprevail.
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类型：纪录片
主演：洛乌·阿德勒 Stephanie 'Stevvi&a
导演：摩根·内维尔
语言：英语
年代：未知
简介： 很多人听过她们的声音，但是鲜少有人知道她们的名字，这句话几乎可作为“和声女声”职业生涯的最佳注脚。由Morgan Neville执导的纪录片《和声女神》就将视角聚焦于如Darlene Love, Merry Clayton, Claudia Lennear, Lisa Fischer, Tata Vega还有Judith Hill等几位幕后女声，他们曾为那些20世纪最著名的流行歌手们甘做绿叶，而她们也恰好如此地见证了流行音乐史。
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类型：剧情片
主演：Ken Clark Horst Frank Jeanne Valéri
语言：英语
年代：未知
简介：Thestoryisfreshandoriginal,andpresentedwithuniquetwistsfrombeginningtoend.FiveGermansoldiersareparachutedintoNorthAfrica,andwilltrektoCasablancatoassassinateaconferenceofChurchill,RooseveltandDeGaulle.Lenzi’sfilmisatrueexampleofcharacter-drivendramaatitsbest.KenClarkisCaptainSchoeller,leaderoftheunit,andhe’sneverlessthantotallyconvincingasadie-hardadvocateofHitlerandNazism.HorstFrank("ThunderfromtheWest")playsLt.Wolfwithgustoandconviction.Wolf’smotherisAmericanandhisbestfriendisaJew,soheandSchoellerdon’tseeeye-to-eye.HeandSchoellerclashoveropposingidealsseveraltimes.Despitetheirdissension,botharededicatedsoldierswhohaveajobtogetdone,andgrudginglyworktogethertoaccomplishthemission.Lenzineverstraysfarfromthiscentralconflictofideals,alwayskeepinghismessageclearlyinfocus.ThesupportingcastoffamiliarEuropeanactorsisexcellentall-around.CarloHintermann,HardyReycheltandHowardRossroundouttheGermanteam.Hintermannmakesthemostofhislittleroleasatough,dedicatedGermanSergeant,acareersoldierwho’lldowhathe’stoldwhenhe’stold,noquestionsasked.JeanneValerieandFabienneDaliaretwofemalecharacters,whosemotivesareneverclearlydefineduntilthefilm’sthirdact–andthat’swhenyourealizewhosesideeachisreallyon.GianniRizzohasafewbriefscenesasaFrenchinformer,workingwiththeGermans,andgetstodoblastawayatAmericansoldierswithamachineguninoneofthefilm’snail-bitingactionscenes.BesuretowatchforTomFelleghy("TheGreatestBattle"),JohnStacy("BattleoftheCommandos"),andFrancoFantasia("Adios,Sabata")insmall,yetkeyrolesasAlliedofficers.Thoughtheaction-packedfootageisscant,what’shereisbrilliantlyeditedanddirected.Thethirdactistenseandfast-paced,astheGerman"heroes"dodgebulletsacrossrooftopsandduckthroughalleywaysasAmericanMPsareinhotpursuit.ThefinalinfiltrationofChurchill’sbanquetinghallisexcellentlysetup,withfrustratinglydeliberatepacing,whichwillleaveyouontheedgeofyourseat.Thisclimaxendsabruptlywithagreatsurprise,causingyourjawtodropasyouwonder"Whatjusthappened…?"Twoaspectsoffilm-makingthatLenziandhiscrewseemtoemphasizearethesetsandlandscapes.Thereisnotoneshotinthismoviethatlooksoutofplace.WhentheGermanofficerstalkinheadquarters,theinteriorlookslikeanofficeinaGermanheadquarters.Thefilmissetinthedesert,andthereareconstantwideshotsasactorsspeakandwalkwhichrevealthatthesesceneswereactuallyshotinthevastEgyptiansanddunes.TheoasisofKuffranlooksespeciallybustling,andtheessenceoftheatmosphereofCasablancaduringwartimeissuperblycaptured.Duringthistimeperiod,manydirectorsfellbackonshabbyinteriorsandshotinoutdoorlocationswhichlookedcompletelywrong.Forexample,"CommandoAttack",alsoshotin1967,waslensedinSpainandexteriorswerepassedoffas"southernFrance",yetit’sclearlyvisibletheactionwasnotoccurringintheFrenchcountryside.Finally,thereareanumberofotherlittledetailswhichcontributetothisfilm’ssuccess:fineeditingandcamera-workgivethismovieaveryprofessionallookandfeel;italwayslooksprofessional.Lenziisjuststartingtodevelophisstyle,andhissignatureclose-upsareusedinmoderation,butmeanallthemorewhentheyareused.Therearesomegreatcraneshotsandwideshotsusedtoestablishthescopeofthesets,mostnotablyinthescenessetinCasablanca.Thisisdefinitelyagreatfilm,withsomestronglydevelopedinternalconflictsandfleshed-outcharacters.ThequalityofLenzi’sfilmswoulddegenerateastheyearspassed,but"DesertCommando"iseasilyoneofthebestwarfilmstocomeoutof1967,rankingrightuptherewith"TheDirtyDozen".
