备注：已完结
类型：剧情片
主演：伊莫琴·普茨 Frank Oulton 考乐姆·吉斯·雷尼 卡勒姆·特
导演：弗拉基米尔·德·丰特奈
语言：英语
年代：未知
简介： 一位年轻的母亲希望在一个移动的家庭社区为她和她的儿子创造新的生活。
备注：已完结
类型：爱情片
主演：杰拉丁·卓别林 安吉拉·摩琳娜 Ángela Molina 亚力杭德拉
导演：卡尔森·亨宁
语言：其它
年代：未知
简介：九十岁的老记者（Marco Antonio Treviño 饰）要迎来自己的寿辰，于是致电老朋友——妓院老鸨罗萨（Geraldine Chaplin 饰），要求她为自己找一个处女过夜。一位年轻的女工（Alejandra Barros 饰从此进入老人的生活，白天，她在工厂缝扣子，晚上，她穿过半个城市来到妓院，裸露睡下供老人把玩，在他面前始终昏迷不醒。老人把她叫作德尔加蒂娜，慢慢发觉自己爱上了她，在沉睡的她面前，他回忆起自己一生的所有风流荒唐，家里的洗衣妇，订过婚又被他抛弃的女孩，夜夜笙歌的妓院美景……他越来越发觉自己已经离不开德尔加蒂娜，而她在他睡着后也会偷偷观察他的一切，对他颇有好感，但是一场意外发生的凶杀案令妓院被迫关闭，德尔加蒂娜就此不见，老人开始发疯寻找……
备注：已完结
类型：喜剧片
主演：LuisBayardo RodolfoGuerrero Eduardo
语言：西班牙语
年代：未知
简介：讲述了三位老人为了一句承诺，走上了赴异地博物馆送手稿的路程，一路艰辛、意外频出，但仍然为故友了却了遗愿的故事。
备注：已完结
类型：喜剧片
主演：Susana Alexander José Carlos Rodríg
语言：其它
年代：未知
简介：今年祖母决定和往年一样，一大家子在家里一起为自己过生日。到场的宾客有自己的儿子：一位50岁左右酗酒的熊孩子，他计划带自己的新女友来见家人。还有4个孙子辈以及他们的另一半。没想到不能接受的人竟是老爸，他反思自己的一辈子，认为自己不是名合格的父亲，害怕自己在养育这个孩子的时候依旧会犯下同类错误，对孩子造成伤害。这时，孩子们表示他们会无条件的爱戴他，因为他是父亲啊。在老爸的坦诚中，大家都反省了自己的缺点，包括祖母也改变了自己对其他人的态度。在全家人的掌声中，老爸向女友求了婚，祖母...
备注：已完结
类型：剧情片
主演：查理·卓别林 卡尔米勒 艾德娜·珀薇安丝 杰基·库根 艾伯特·奥斯汀
导演：查理·卓别林
语言：英语
年代：未知
简介： 影片讲述玻璃匠夏尔洛（查理·卓别林 Charles Chaplin饰）和弃婴（杰基·考甘 Jackie Coogan饰）之间一段笑中有泪的感人故事。夏尔洛在垃圾箱旁发现了一个弃婴并收养了他。等到孩子长到四五岁的时候，就已经非常懂事。两父子合演双簧，儿子打碎玻璃，父亲就上 前更换玻璃从而养家糊口。夏尔洛带着“儿子”躲避警察的追捕，以免他被送入孤儿院。可孩子的母亲后来有了钱，悬赏找回孩子。有人为钱把孩子从夏尔洛身边偷走，他四处追查也没有找到。疲惫的夏尔洛在梦中来到了天堂。一觉醒来的他，居然发现“儿子”跟他
备注：已完结
类型：剧情片
主演：伊丽莎白·泰勒 范·强生 沃尔特·皮金 唐娜·里德 伊娃·嘉宝 柯特·
导演：理查德·布鲁克斯
语言：英语
年代：未知
简介： 故事发生在第二次世界大战刚刚结束之后，一切都是百废待兴的样子。士兵查尔斯（范·强生 Van Johnson 饰）在完成了自己身为一名军人的使命之后，决定留在巴黎，进军文艺界，成为一名作家。在巴黎，查尔斯邂逅了海伦（伊丽莎白·泰勒 Elizabeth Taylor 饰）和玛丽安（唐娜·里德 Donna Reed 饰）姐妹两，很快，查尔斯便和海伦坠入了爱河，两人结为夫妻，并且有了他们爱情的结晶。 虽然感情生活一帆风顺，但查尔斯的事业却一直没有起色，迟迟无法获得成功的他心灰意冷，开始依靠酒精派遣内心的郁闷。某天，酩酊大醉的查尔斯将海伦锁在了门外，海伦因此患上肺炎不幸去世，玛丽安则带走了两人的孩子，查尔斯失去了一切。
备注：已完结
类型：喜剧片
主演：科林·费尔斯 罗斯玛丽·哈里斯 伊莲娜·雅各布 玛丽·伊丽莎白·马斯特
导演：休·赫德森
语言：英语
年代：未知
简介：费舍尔（Robert Norman 饰）出生于一个非常传统的苏格兰家庭之中，家风十分严谨，这令费舍尔的整个童年都是在压抑之中度过的。幸运的是，费舍尔的父亲爱德华（科林·费尔斯 Colin Firth 饰）俏皮不羁，母亲玛利亚温婉善良（玛丽·伊丽莎白·马斯特兰托尼奥 Mary Elizabeth Mastrantonio 饰），他们两人的存在是费舍尔灰暗童年里的唯一一抹亮色。 这一天，村里来了一位名叫席璐思（伊莲娜·雅各布 Irène Jacob 饰）的女子，个性奔放的席璐思很快就吸引了费舍尔的注意，与此同时，父子连心，敏锐的费舍尔很快就意识到，自己的父亲亦对席璐思非常的感兴趣。父子两人竟然对同一个女人产生了感情，故事开始变得有趣起来。
备注：已完结
类型：喜剧片
主演：Matthew Broderick Jeanne Tripplehor
导演：沃伦·莱特
语言：英语
年代：未知
简介：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
