备注:已完结
类型:喜剧片
主演:米歇尔·费尔利 帕蒂·杰金斯 James Martin 谢默斯·奥哈拉
语言:英语
年代:未知
简介: Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley). Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.
备注:已完结
类型:喜剧片
主演:Lia Franca 维托里奥·德西卡 Cesare Zoppetti
导演:马里奥·卡梅里尼
语言:其它
年代:未知
简介:The film was a great success, De Sica and Lia Franca became stars and the song Parlami d'amore Mariù was a hit. Rarelly in Italian film history, it was filmed on real Milan locations, nowadays it is a sort of documentary how was Milan in the 30s. The film was remade in 1953 by Glauco Pellegrini.
备注:已完结
类型:喜剧片
主演:克里斯·奥多德 马克·伍顿 迪恩·里侬斯·凯利 安娜·法瑞丝 Mere
导演:嘉瑞斯·贾里维克
语言:英语
年代:未知
简介:游乐园工作的雷(克里斯•奥多德 Chris O’Dowd 饰)沉迷于时间旅行,在工作中因吓坏小游客而被解雇。朋友皮特(迪恩•里浓斯•凯利 Dean Lennox Kelly 饰)和业余作家托比(马克•伍顿 Marc Wootton 饰)在“恐龙汉堡店”扮恐龙打工,毫无前途。三人晚上来到酒吧打发时光,雷突然遇到一位叫凯西的美女(安娜•法瑞丝 Anna Faris 饰)。凯西自称来自未来,是专门负责寻找时间漏洞的技术员,她来此是拜访名人,因为雷在未来将是“伟大的雷”,并著有《时间旅行手册》。皮特和托比不相信雷遇见了“未来美女”,认为他是异想天开编排电影。皮特去卫生间小解,没曾想竟偶然进入了时间漏洞,出来后发现酒吧全是死人,包括他自己。惊慌四措的皮特将雷和托比也拽入了漏洞,从此开始了一系列前后穿梭的时间旅行冒险。
备注:已完结
类型:剧情片
主演:Jamie MacLachlan Kate Hewlett Shaun
导演:查尔斯·比森
语言:英语
年代:未知
简介:The story of the four minute mile-breaker Roger Bannister.
备注:已完结
类型:动作片
主演:Michael Sopkiw Valentine Monnier 吉昂
导演:兰帕德·帕瓦
语言:其它
年代:未知
简介: 转 Monster Shark(红海魔影) 剧情大概: 两个游客在海上钓鱼时突然遭到一个巨大的水下怪物的袭击,其中一人死亡,整个下半身都被吃掉了。科学家在对其身上的齿痕进行检查时,发现这种齿痕只有一种凶残的原始恐鱼才有,而这种凶残的鱼早在几百万年前就灭绝了! 类似的怪物袭击案接连发生,海滨居民陷入一片惶恐之中。 有人调查发现,是某科学家利用海豚的智慧、章鱼的力量、还有原始恐鱼的凶残性格等多重基因,将其综合移殖到一条大鱼的身上,使它变成了一个恐怖的水下怪物…… (此片就算不介绍大家也应该知道吧,兰帕德·帕瓦的成名作,央视早期引进的为数不多的恐怖片之一,正大剧场放映的超人气作品,虽然不及黑色的遗产有名……) 片子为法国和意大利合拍片,原名为Shark rosso'nelloceano,引进美国后改名为Monster Shark
备注:已完结
类型:科幻片
主演:叶甫根尼·耶夫斯基格涅耶夫 Vladimir Tolokonnikov
导演:弗拉基米尔·博尔特科
语言:其它
年代:未知
简介:米哈伊尔·阿法纳西耶维奇·布尔加科夫1891年生于基辅,1940年逝世于莫斯科。世界文坛称他是一位思想深邃、以大无畏精神向一切邪恶挑战的文学大师。其代表作《狗心》、《白卫军》、《大师和玛格丽特》等曾被苏联当局查禁没收,或“默杀”。作家死后恢复名誉、苏联文坛两度掀起“布尔加科夫热”。现在他的作品进入现代经典之列,被誉为20世纪最伟大的文学珍品之一。 《狗心》作于一九二五年初,在文学圈子里获得一致好评,人们发现它确实尖锐地抨击了现实,但它抨击的是现实中的粗野、愚昧和荒廖。小说写一条狗因为做了人的脑垂体移植手术,突然成了有人外表的流氓,致使流氓习气随着脑垂体分泌的激素,渗入了取名沙里科夫的实验室怪物的每个细胞。沙里科夫的可怕不公在于他身上那些流氓无产者的劣性,并且在于他对社会主义的庸俗化.表面上看来,《狗心》很像一个科幻故事,但是实际上却有着反乌托邦小说的关于哲理和社会的深邃思考。 国际知名的医生菲利普·普列奥布拉任斯基教授,为了进行改善人种的优生学试验,把一个刚刚死去的行窃的酒鬼的脑垂体和睾丸移到一只叫沙里克的狗身上。沙里克竟变成了“还处于最低发展阶段的”人——沙里科夫。 这个能讲人言、衣食如人的衣冠禽兽,一天天显示出是一个怀着“一颗最为卑鄙龌龊的心”的败类:酗酒、偷窃、说谎、告密、无耻下流,直至栽脏陷害、用手枪威胁要强占教授的住宅。更有意味的是,这个狗“出身”的沙里科夫竟然被政府赏识而任命为莫斯科公共卫生局清除流窜动物科科长。他穿上了皮夹克(这是当时文学作品里革命者的形象模式),出入有专车——尽管是卡车。幸而两位“造物主”普列奥布拉任斯基教授和博尔缅塔尔大夫及时用手术把沙里科夫还原为沙里克,才没酿成惨祸。 在这篇小说里,布尔加科夫力究天人之际,思考着人与自然、人与社会的关系、人的能力限度以及人对于整个自然界的责任。实际上,布尔加科夫继续阐释着一个重大的主题:人不应该僭越,不应该觊觎全能的上帝的位置。这个上帝便是自然、社会的客观法则。试图超越社会、自然的进程,把科学变为破坏客观规律的迷信,狂热蛮干地“创造历史”,是不能不受到惩罚的。正如小说《不祥之蛋》中,佩尔西科夫教授虽然掌握了科学,却缺乏对人类社会的责任感,最后死于疯狂的群众的乱拳之下;而给人类社会带来可怖的厄运的洛克,急功近利而智力低下到根本谈不上什么责任感问题,却“带着官家的公文”,则是更为可怕的。 而在《狗心》中,国际首屈一指的名医菲利普·普列奥布拉任斯基教授空前绝后的完美手术只能创造出险些置其于死地的社会败类。普列奥布拉任斯基教授经受了自作自受的“科学实验”之后,终于觉悟道:“看吧,如果一个研究者不是摸着大自然的脉搏,与之共进,而是想加速问题的解决,揭开那神秘的帷幕,那么,就给你个沙里科夫尝尝,还让你吃不了兜着走。” 看来,人要充当上帝——造物主的角色,结果只能是对上帝的讽刺性模拟。干扰世界的客观进程最终只能落得搬起石头砸自己的脚的下场。
备注:已完结
类型:喜剧片
主演:Damon Martin 罗亚尔·达诺 菲尔·方德卡罗
导演:阿尔贝·邦
语言:英语
年代:未知
简介: 奈吉尔收到最后警告,不伦他在恐怖屋中的演出如何出色或如何骇人,他的恐怖屋都要永远关门,他为挽救恐布屋,于是邀请了一班不速之客来营造气氛,可是他们原来是一群恶魔,把恐怖屋变作自己的游乐场,并大肆破坏。
备注:已完结
类型:喜剧片
主演:西尔瓦娜·曼加诺 安妮·吉拉尔多 弗朗西斯科·拉瓦尔 马西莫·吉洛蒂
导演:莫洛·鲍罗尼尼 维托里奥·德西卡 皮埃尔·保罗·帕索里尼 佛朗哥·罗西 卢基诺·维斯康蒂
语言:其它
年代:未知
简介: "The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
备注:已完结
类型:剧情片
主演:焦万娜·梅佐焦尔诺 菲利波·蒂米 福斯托·鲁索·阿莱西 米雪拉·塞尚
导演:马可·贝洛基奥
语言:其它
年代:未知
简介: 墨索里尼(费立波·提米 Filippo Timi 饰)于第一次世界大战期间参军入伍,踌躇满志的他将情人达尔塞(乔凡娜·梅索兹殴诺 Giovanna Mezzogiorno 饰)和儿子埃博诺(法布里兹奥·柯斯戴拉 Fabrizio Costella 饰)忘在了脑后,发迹后,墨索里尼娶了蕾切尔(米雪拉·塞尚 Michela Cescon 饰)为妻,生儿育女,而就在此时,达尔塞找到了墨索里尼,希望能够讨个说法,得到属于自己的名分。 墨索里尼在政场中节节攀升,权利越来越大,这也导致达尔塞的存在成为了威胁到他仕途的绊脚石。墨索里尼派出了秘密警察监视控制达尔塞,并且最终将她送入了精神病院。可即便如此,执着的达尔塞依然没有放弃她的诉求。