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类型：喜剧片
主演：弗拉基米尔·泽连斯基 Evgeniy Koshevoy 斯坦尼斯拉夫·
语言：俄语,乌克兰语
年代：未知
简介： 《人民公仆》大电影。瓦夏总统和前总理携手大战众寡头；光头外交部长和秘书智斗IMF代表团……
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类型：喜剧片
主演：蒂尔·施威格 扬·约瑟夫·利费斯 蒂埃里·范·维凡客 莫里兹·布雷多
导演：托马斯·雅恩
语言：其它
年代：未知
简介：Martin Brest（蒂尔·施威格 Til Schweiger饰）和Rudi Wurlitzer（让·约瑟夫·莱佛斯 Jan Josef Liefers 饰）是两个身患不治之症的病人，两人在医院相遇了，相谈甚欢更一起喝了一瓶偶然找到的酒。两人喝醉后，Martin知道了Rudi一个秘密：长这么大Rudi竟然还没见过大海。Martin决定在Rudi临终之前实现他这个愿望。两人偷了一辆车，不想这辆车竟然是一黑帮老大的，里面更藏有大量现金。两人还一路抢劫，被警察追捕。黑帮的人为了追回车里的钱，也在追杀他们。在寻找大海的路上，两人到底要历经多少艰险，Martin和Rudi最后能否实现看一眼大海的愿望，天堂在前，两人要去敲开天堂的大门了......
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类型：战争片
主演：尼古拉·奥拉宁 拉里莎·戈卢布金娜 Boris Seidenberg
导演：尤里·奥泽洛夫
语言：其它
年代：未知
简介： 大型历史电影史诗《解放》由五部电影组成。第一部电影《炮火弧线》讲述了1943年夏天库尔斯克弧线的一场大战。这是第二次世界大战历史上规模最大的坦克战役。除了人物的个人命运外，影片还展示了战斗场面、总部和情报机构的活动，以及那些在前线和后方工作的人。
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类型：剧情片
主演：Marta Dancingerová Pavla Gajdosíkov
导演：让·普鲁斯诺夫斯基
语言：其它
年代：未知
简介： Passionate Emma and impulsive but introverted Tomáš fall in love. They are like two missing puzzle pieces coming together. But Emma's pornographic past inevitably catches up with them.
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类型：剧情片
主演：米尔亚娜·卡拉诺维奇 波利斯·伊萨科维奇 雅丝娜·杜里契奇 博扬·纳沃
导演：米尔亚娜·卡拉诺维奇
语言：其它
年代：未知
简介：一位妻子发现丈夫原来在前南战争中犯有反人类罪。“地下”女主角自编自导自演，用生活化视角让妻子沉浸在各种日常周旋中，负罪的幽灵慢慢才会成为这个家庭的梦魇。一场缓慢推进的灵魂焦灼。
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类型：爱情片
主演：多米尼克·阿贝尔 菲奥娜·戈登 布鲁诺·罗密 Philippe Mar
语言：
年代：未知
简介：作为一个中年男人，多姆（多米尼克·阿贝尔 Dominique Abel 饰）的生活可谓是乏善可陈，没有朋友，没有爱情，干着一份讨厌的工作，每天都要面对烦人的客户。一次偶然中，多姆结识了名叫菲欧娜（菲欧娜·戈登 Fiona Gordon 饰）的美丽女子，让多姆感到意外的是 ，菲欧娜竟然自称是能够实现他三个愿望的仙女。 完全不相信菲欧娜的多姆开玩笑似地许下了两个愿望，没想到隔天早晨愿望竟然真的成为了现实。随着时间的推移，多姆对这个神秘的女孩越来越着迷，然而，就在他决定正视自己的感情时，菲欧娜却失踪了。多姆怎么也不会想到，他和菲欧娜之间的重逢会发生在一间精神病院。
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类型：动作片
主演：尼古拉斯·凯奇 贾斯汀·巴萨 黛安·克鲁格 强·沃特 海伦·米伦 艾德
导演：乔·德特杜巴
语言：英语
年代：未知
简介：冒险家本•盖茨（尼古拉斯•凯奇饰）是次要挑战更艰难的探险寻宝之旅。美国第16任总统亚伯拉罕• 林肯之死一直是美国历史上的一宗悬案，据调查，凶手约翰•沃克斯•布斯实际是受人唆使犯下惊天命案。盖茨参加一次公开演讲，台下的一位叫米奇•威尔金森（艾德•哈里斯饰）的男子宣称，盖茨的祖父与林肯之死有千丝万缕的联系。于是盖茨开始调查约翰•布斯相关的线索，发现一本叫“国家密宗”的书，是解答一切问题的关键。但国家密宗只有美国总统本人知道其所在，为了探寻真相，盖茨不惜铤而走险，绑架总统。
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类型：剧情片
主演：Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestm
导演：法兰提塞·维拉席
语言：其它
年代：未知
简介：In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
